Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of John Hoppner 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
2408		Captain George Porter	1789 Denver Art Museum
44599		Dorothy Jordan as the Comic Muse	mk173 1786 Oil on canvas 236.9x145.4cm
2406		Jupiter and Io	1785
2409		Lady Caroline Capel Holding her Daughter Harriet
75588		Portrait in oils of Eleanor Agnes Hobart	English: Portrait in oils of Eleanor Agnes Hobart, Countess of Buckinghamshire (died 1851) Date ca. 1800 cyf
74144		Portrait in oils of Eleanor Agnes Hobart, Countess of Buckinghamshire	Portrait in oils of Eleanor Agnes Hobart, Countess of Buckinghamshire (died 1851) ca. 1800 cjr
81418		Portrait of Adam Duncan	1798(1798) Medium Oil on canvas Dimensions 74.9 x 62.2 cm (29.5 x 24.5 in) cyf
82592		Portrait of Adam Duncan	. 1798(1798) Medium Oil on canvas Dimensions 74.9 x 62.2 cm (29.5 x 24.5 in) cyf
82909		Portrait of Dorothy Jordan	1791(1791) Medium Oil on canvas Dimensions 74.9 x 62.2 cm (29.5 x 24.5 in) cyf
98122		Portrait of George IV	from 1790(1790) until 1796(1796) Medium oil on canvas Dimensions 240 x 148.6 cm cyf
84359		Portrait of Miss Sarah Gale	18th century Medium Oil cyf
68540		Portrait of the Frankland Sisters	Technique Oil on canvas
71592		Portrait of the Frankland Sisters	Date 1795
76615		Portrait of the Frankland Sisters	1795(1795) Oil on canvas 155 ?? 125 cm (61 ?? 49.2 in) cjr
78481		Portrait of the Frankland Sisters	1795(1795) Medium Oil on canvas Dimensions 155 x 125 cm (61 x 49.2 in) cyf
2410		Richard Brinsley Sheridan
29338		Richard Brinsley Sheridan	mk65 Oil on canvas 30x12"
43308		Sir George Beaumont	mk170 1803 Oil on canvas 77.5x63.9cm
68845		sir george beaumont	1806 oil on canvas 77.5x63.9 se
2407		The Bowden Children	1803
38191		The Ladies Sarah and Catherine Bligh	mk29 c.1790 129.8x102.5cm Oil on canvas

John Hoppner

1758-1810 British John Hoppner Galleries John Hoppner (April 4?, 1758 - January 23, 1810), English portrait-painter, was born in Whitechapel. His father was of German extraction, and his mother was one of the German attendants at the royal palace. Hoppner was consequently brought early under the notice and received the patronage of George III, whose regard for him gave rise to unfounded scandal. As a boy he was a chorister at the royal chapel, but showing strong inclination for art, he in 1775 entered as a student at the Royal Academy. In 1778 he took a silver medal for drawing from the life, and in 1782 the Academy's highest award, the gold medal for historical painting, his subject being King Lear. He first exhibited at the Royal Academy In 1780. His earliest love was for landscape, but necessity obliged him to turn to the more lucrative business of portrait painting. At once successful, he had throughout life the most fashionable and wealthy sitters, and was the greatest rival of the growing attraction of Lawrence. Ideal subjects were very rarely at tempted by Hoppner, though a "Sleeping Venus," "Belisarius," "Jupiter and Io," a "Bacchante" and "Cupid and Psyche" are mentioned among his works. The prince of Wales visited him especially often, and many of his finest portraits are in the state apartments at St. James's Palace, the best perhaps being those of the prince, the duke and duchess of York, of Lord Rodney and of Lord Nelson, Among his other sitters were Sir Walter Scott, the Duke of Wellington, Frere and Sir George Beaumont. Competent judges have deemed his most successful works to be his portraits of women and children. A Series of Portraits of Ladies was published by him in 1803, and a volume of translations of Eastern tales into English verse in 1805. The verse is of but mediocre quality. In his later years Hoppner suffered from a chronic disease of the liver. He was confessedly an imitator of Reynolds. When first painted, his works were much admired for the brilliancy and harmony of their colouring, but the injury due to destructive mediums and lapse of time which many of them suffered caused a great depreciation in his reputation. The appearance, however, of some of his pictures in good condition has shown that his fame as a brilliant colourist was well founded. His drawing is faulty, but his touch has qualities of breadth and freedom that give to his paintings a faint reflection of the charm of Reynolds. Hoppner was a man of great social power, and had the knowledge and accomplishments of a man of the world. The best account of Hoppner's life and paintings is the exhaustive work by William McKay and W Roberts (1909

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